![]() As Li emphasizes, the design and construction of the mausoleum was neither straightforward nor carried out through an entirely top-down process. While doing so, he reveals the political maneuvering, local negotiations and professional competition involved in the design, physical construction and early use of the mau- soleum. In this article, Li breaks new ground in the study of China’s changing political culture in the first half of the twentieth century by analyzing the construction of the Sun Yat-sen Mausoleum in terms of symbols, rituals and commemoration. Designed in an architectural style meant to link the traditions of the Chinese past with the modernity of the Chinese present, the mausoleum was dedicated to the shared memory of Sun Yat-sen, that newfound “god of revolution,” and his political program as put forth by the Nationalists. 1974) positions Nanjing’s iconic monument to the Nationalist Party founder as monument for a nascent new China and a “focal point of memory” for the nation after the Xinhai revolution against the late Qing dynasty. ![]() In “Sun Yat-sen’s Mausoleum: the Making of a Political Symbol in Modern China,” historian Li Gongzhong (b. Revolution, and with it the promise of a new China, has been a recurring motif in the course of twentieth-century Chinese history. ![]() Translation by Jonathan Henshaw and Shi Yifan ![]()
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